1968

Participates in demonstrations and gives speeches in solidarity with the student movement. He is invited by the students to hold ‘countercourses’ at the Accademia di Belle Arti.
Initiates a busy period of gravure work: engravings, etchings and lithographs on steel plates. Using a luminous table, he begins working on his fragments/film/collage montages (an original technique), which would evolve into the ‘gigantografie’.
In September, a full-scale retrospective is dedicated to the artist at Ferrara’s Palazzo Diamanti, where he exhibits a new installation of the great Plurimi.